the enduring impact of the world’s most successful music player

The forensic study of heterosexual desire in Seven Years, the Swiss-German writer Peter Stamm’s first novel to be translated into English, announced a formidable European writer to the Anglophone world. Reading To The Back of Beyond, his third novel, one begins to discern recurring themes in his work: man-woman relationships, marriage, desire, infidelity, family, a particular bourgeois matrix of life that can become a trap despite it – or even, because of it – being the end-point of the individualist desire that lies at the foundation of capitalist societies.

The story of To The Back of Beyond is simple yet irreducible and mysterious. On the day Astrid and Thomas and their two children, Konrad and Ella, return home to their small town in Switzerland from summer holiday in Spain, Thomas opens the garden gate in the evening, while Astrid has gone inside to settle the children in bed, walks out onto the street and keeps walking. It’s not giving away a crucial plot-twist to mention that he will never return to the life he walks out of, nor is it an unwelcome divulgence to note that we will never be told the motives behind this act. The book will alternate, in short sections, between Thomas and Astrid, and while we will be let inside her head, we will be kept out of his almost entirely.

The Thomas strand of the narrative follows him walking into the valleys and mountains of Switzerland, avoiding populated towns to prevent being noticed by people who may be questioned later about a missing person. He sleeps outdoors while the weather is favourable, then takes to living in mountain huts, engaging in short-term casual employment, before moving on to another place.

Astrid’s story sees her going to the police eventually to report her missing husband and breaking the news to the children. She even drives along a route she thinks Thomas could conceivably have taken; the novel seems to hint that she arrives in some of the places he has passed through or…

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